Multi award-winning animator/director and iconic horror filmmaker Robert Morgan presents a career- spanning retrospective of his work, a unique opportunity to experience first-hand, for your viewing pleasure. the purest conception of anarchic sound and vision.
“One of the most visionary genre filmmakers working today. Imagine a fusion between the sensibilities of Salvador Dali, David Cronenberg, Ingmar Bergman, Tim Burton and the Quay Brothers, and you’ll have a partial idea of the sheer brilliance of this man’s work.”
Mitch Davis, Rue Morgue Magazine
The nightmare universe of these shorts are most commonly seen on the film-festival circuit, where they have amassed a legion of breathless fans amongst audiences and critics alike. There will be blood!
At Barbican book tickets
Paranoid (Robert Morgan, UK)
The earliest example of the warped imagination of Robert Morgan. Is this real or imaginary? Best stay under the covers.
4’00, 1994
The Man in the Lower-Left Hand Corner of the Photograph (Robert Morgan, UK)
A man sits alone in an empty room, looking at a single photograph of himself of a time when he was happy.
13’00, 1997
The Separation (Robert Morgan, UK)
The separation of conjoined twins and its extraordinary consequences.
9’15, 2003
OverTaken: A 48 Hour Film (Robert Morgan, UK)
Made as part of the Branchage Film Festival’s 48-Hour Film Challenge 2009. This entire film was conceived, shot, edited and delivered within a single 48-hour period.
6’00, 2009
The Cat with Hands (Robert Morgan, UK)
The story of a cat who, legend has it, longs to be human.
4’00, 2001
Bobby Yeah (Robert Morgan, UK)
Bobby Yeah is a petty thug who likes brawling and stealing stuff. One day he steals a creature from its dangerous owners, and finds himself in a lot of trouble. He really should learn, but he just can’t help himself…
23’00, 2011
Invocation (Robert Morgan, UK)
A grotesquely surreal deconstruction of the guts of stop-motion animation.
3’00, 2013
D is for Deloused (Robert Morgan, UK)
A large bug helps an executed man get revenge on his ghoulish killers.
4’30, 2015
